Thread Rating:
  • 0 Vote(s) - 0 Average
  • 1
  • 2
  • 3
  • 4
  • 5

Article  Explaining sports fandom (philosophy of sports)

#1
C C Offline
https://junkyardofthemind.com/blog/2024/...ing-fandom

EXCERPT: . . . Kendall L. Walton (2015) thinks this puzzle of sports fandom parallels the paradox of fiction.

The fan imagines that the outcome matters immensely and imagines caring immensely—while (in many cases) realizing that it doesn’t actually matter much, if at all. She is caught up in the world of the game, as the spectator at the theater is caught up in the story. Afterwards, like the playgoer, she steps outside of the make-believe and goes back to living her life as though nothing much had happened—even if the home team suffered a devastating and humiliating defeat. It’s just a story; it’s just a game” (p. 77).

Walton himself and other authors (Wildman 2019, Moore 2019) who have tried to explain this aspect of sports fandom have applied Walton’s theory in a quite limited way. These three Waltonians have an impoverished view of sports make-believe and sports fandom. There’s a better way to apply the Waltonian theory to sports.

On Walton’s account, the prop in a fan’s game of make-believe is the sporting event: the game, the contest, the match. What’s the content of the sports fandom make-believe? Walton mentions a few specifics:
  • In addition to one’s real-world concerns about the outcome of the game, one is supposed to imagine that the game matters a great deal (p. 78).

  • Spectators’ affective response to whatever real-world concerns they have with the game can serve as reflexive props; a small sensation of excitement at a successful third-and-long conversion is imagined to be much greater sensation responding to a fictional concern (p. 78).

  • Frequently fans imagine, in a fairly indeterminate way, that the opposing players are the “bad guys” and that the preferred team is the “good guys,” and fictionally desire that the good guys triumph (p. 79).
Walton notes that sports fictions have no author and hence no authorial direction, unlike most works of art. The fan chooses which side is the good guys and which is the bad, and can even switch halfway through, without being guilty of misinterpreting the fiction.

Two worries crop up [in this analysis].... (MORE - missing details)
Reply


Possibly Related Threads…
Thread Author Replies Views Last Post
  Explaining Andrew Yang’s work in Baltimore (POTUS competitive sports) C C 0 153 Aug 5, 2019 09:15 PM
Last Post: C C
  Solution to doping in sports + How the buzz of dancing and sports bonds us together C C 0 949 Jul 25, 2016 04:01 AM
Last Post: C C



Users browsing this thread: 1 Guest(s)